Tag: #Peopleandplace

OCA People and Place – People Aware: Varying the pose

An exercise to work through variations in pose. The course material suggests reviewing magazines beforehand to get an idea of variety. Even though a lot of the set-ups and poses are just unrealistic in a home setting (I was looking at Numero, Sunday Times Style supplement etc) it was useful, for thinking about variations within poses, and placement of limbs, in particular where to place hands. As in previous exercises, I asked a member of the family to pose for me – pretty much essential given the amount of patience needed on their part.

There were quite a few constraints to deal with doing this…

– For some of the images (1-4 below) I used a backdrop, but subsequently abandoned it. I got it cheap and it was pretty much impossible to get the creases out. It also wasn’t really big enough (hence the exposed flooring on a couple of the images). You get what you pay for I suppose, but I’m now going to invest in some decent seamless paper backdrops.
– Initially I used a tripod with a cable release as I wanted to keep the framing consistent and use a reasonably low ISO rating (although see below on light source). I decided to drop this as it was pretty tedious moving the whole kit about every time I wanted to get a different pose.
– I used a softbox for light, which didn’t have a lot of power, so I did need to keep the ISO pretty high (for the majority of images I couldn’t use slower shutter speeds as I had given up on the tripod). The answer here I realise would have been bigger lights.
– I was also very limited on space in my place, which was a real constraint when the subject was standing, and meant that I couldn’t use always use a long focal length (these were all taken with a 24-70mm zoom – so I could be flexible – actual focal length for each image stated in descriptions below).

1). 36mm, f/4, 1/125 second, ISO 1600.
1). 36mm, f/4, 1/125 second, ISO 1600.
2). 56mm, f/5.6, 1/20 second, ISO 1600.
2). 56mm, f/5.6, 1/20 second, ISO 1600.
3). 48mm, f/4, 1/80 second, ISO 3200.
3). 48mm, f/4, 1/80 second, ISO 3200.
4). 55mm, f/4, 1/180 second, ISO 3200.
4). 55mm, f/4, 1/180 second, ISO 3200.
5). 48mm, f/4, 1/90 second, ISO 3200.
5). 48mm, f/4, 1/90 second, ISO 3200.
6). 48mm, f/4, 1/90 second, ISO 3200.
6). 48mm, f/4, 1/90 second, ISO 3200.
7). 48mm, f/4, 1/90 second, ISO 3200.
7). 48mm, f/4, 1/90 second, ISO 3200.
8). 44mm, f/4, 1/90 second, ISO 3200.
8). 44mm, f/4, 1/90 second, ISO 3200.
9). 45mm, f/4, 1/90 second, ISO 3200.
9). 45mm, f/4, 1/90 second, ISO 3200.
10). 48mm, f/4, 1/60 second, ISO 3200.
10). 48mm, f/4, 1/60 second, ISO 3200.
11). 48mm, f/4, 1/90 second, ISO 3200.
11). 48mm, f/4, 1/90 second, ISO 3200.
12). 48mm, f/4, 1/125 second, ISO 3200.
12). 48mm, f/4, 1/125 second, ISO 3200.
13). 48mm, f/4, 1/90 second, ISO 3200.
13). 48mm, f/4, 1/90 second, ISO 3200.
14). 55mm, f/4, 1/125 second, ISO 3200.
14). 55mm, f/4, 1/125 second, ISO 3200.
15). 48mm, f/4, 1/60 second, ISO 3200.
15). 48mm, f/4, 1/60 second, ISO 3200.
16). 60mm, f/4, 1/645 second, ISO 3200.
16). 60mm, f/4, 1/645 second, ISO 3200.
17). 70mm, f/4, 1/90 second, ISO 3200.
17). 70mm, f/4, 1/90 second, ISO 3200.
18). 70mm, f/4, 1/60 second, ISO 3200.
18). 70mm, f/4, 1/60 second, ISO 3200.
19). 66mm, f/4, 1/90 second, ISO 3200.
19). 66mm, f/4, 1/90 second, ISO 3200.